Personal Filmography

SHORT NARRATIVE FILMS

Night Damage (2023)

Set in Tokyo, this recent project explores two androids as they malfunction and falter in a world that wasn’t made for them.

Android Encounter (2023)

A contemplation on androids striving to build human-like connections amid the complexities of modern Tokyo.

The Postcard (2014)

Set in Madrid, this short film tells the story of a couple who, after breaking up, communicate by leaving postcards in a park.

Separation (2013)

A Manchester-based art house sci-fi in which an argument strands two women in separate dimensions within the same physical space.

The Uncertain Existence (2002)

A 20-minute film shot in London, depicting Nadia’s fractured journey through a desolate city as she captures her surroundings on film. Created as Veronica’s graduation piece at the Slade School, it was screened at numerous festivals.

Wiro (1993)

Veronica’s debut narrative film, a sci-fi story about a man captured by his own television, made when she was 19.

 

SHORT ANIMATION FILMS

The Snail and the Fish (2003)

A charming claymation film celebrating the simplicity and joy of life in nature.

The Big Fish (2002)

A surreal pixilation animation featuring two humanoid creatures emerging from a giant cloth fish, encountering living objects and dolls on a Brighton beach.

The Little Bird Flies Away (2001)

A cut-out animation following the dream of an ideal life as imagined by a caged bird.

All This and More (2000)

A politically charged cut-out animation that uses magazine images to create satirical comedy sketches.

 

SHORT EXPERIMENTAL FILMS

Anemona (2012)

A hypnotic exploration of an anemone’s fluid movements, influenced by the ocean’s gentle waves.

Dual 16mm (2013)

An experimental double-screen film, presenting the same scenes shot by two filmmakers in a British forest, using hand-processed 16mm film.

Anatidae (2013)

A meditative black-and-white study on Zen themes, filmed in 16mm and hand-processed at a home lab.

Snow (2008)

A nostalgic, abstract piece shot in a snow-covered London garden, rendered in black and white.

We Are Already Alive (1998)

An 80s horror-inspired piece featuring old dolls within a bleeding TV screen.

The Uncertain Existence
Anatidae